Tuntenhaus

Documenting a Communal Space Through Photography & Research

Role:

Researcher & Designer

Duration:

8 years

Team:

1 Designer (myself)

For my design bachelor's thesis, I embarked on a long-term documentary project capturing the essence of the Tuntenhaus—a queer squat and safe space in Berlin’s Prenzlauer Berg. Having lived there for eight years, I combined photography, interviews, and archival research to create a 282-page photobook that explores the intersection of identity, activism, and community.

The project showcases my ability to conduct in-depth research, engage with sensitive topics through interviews, and design a cohesive visual and editorial experience. It also reflects my commitment to inclusivity and social discourse through design.

Book Design

Photography

Research

Interviews

Typography

Cultural Documentation

Inclusivity

01

Visual Storytelling

01

Visual Storytelling

01

Visual Storytelling

A House, A Community, A Safe Space?

The core of the book is a photographic journey through the private and public spaces of the Tuntenhaus. The images create visibility while respecting the privacy of its residents—documenting daily life, activism, and the unique atmosphere of the house. Each photograph contributes to a nuanced portrayal of the community without exposing individuals to potential risks.

A House, A Community, A Safe Space?

The core of the book is a photographic journey through the private and public spaces of the Tuntenhaus. The images create visibility while respecting the privacy of its residents—documenting daily life, activism, and the unique atmosphere of the house. Each photograph contributes to a nuanced portrayal of the community without exposing individuals to potential risks.

02

Interviews

02

Interviews

02

Interviews

Giving Voice to the Community

To deepen the narrative, I conducted three group interviews with former and current Tuntenhaus residents. These conversations, transcribed and printed on soft pink matte paper, separate the photographic sections while adding personal and historical context. Marginal icons highlight recurring themes, helping readers navigate the dialogues.

Giving Voice to the Community

To deepen the narrative, I conducted three group interviews with former and current Tuntenhaus residents. These conversations, transcribed and printed on soft pink matte paper, separate the photographic sections while adding personal and historical context. Marginal icons highlight recurring themes, helping readers navigate the dialogues.

03

Archival Research

03

Archival Research

03

Archival Research

Contextualising a Movement

Beyond my own documentation, I incorporated historical materials from former residents and the Schwules Museum in Berlin. This section, structured in three parts, traces the evolution of queer squatting in Berlin:

  1. Bülowstraße 55 (1981-1983)
    – Early queer squatting movements.

  2. Mainzer Straße (May–Nov. 1990)
    – A short-lived but pivotal occupation.

  3. Kastanienallee 86 (since 1990)
    – The long-standing home of Tuntenhaus.

This historical framework enriches the project, linking individual stories to broader political and social movements.

Contextualising a Movement

Beyond my own documentation, I incorporated historical materials from former residents and the Schwules Museum in Berlin. This section, structured in three parts, traces the evolution of queer squatting in Berlin:

  1. Bülowstraße 55 (1981-1983)
    – Early queer squatting movements.

  2. Mainzer Straße (May–Nov. 1990)
    – A short-lived but pivotal occupation.

  3. Kastanienallee 86 (since 1990)
    – The long-standing home of Tuntenhaus.

This historical framework enriches the project, linking individual stories to broader political and social movements.

04

Design

04

Design

04

Design

Crafting a Tangible Experience

Every design choice reinforces the themes of the book:

  • Hardcover with embossing, wrapped in pink velvet, reflecting both softness and defiance.

  • Screw binding for a structured yet flexible format.

  • Paper selection: Glossy for photographs (175g), matte pastel pink for interviews (120g), and recycled paper for text sections (120g).

  • Typography: A mix of Silka (modern and geometric) and Perpetua (classic and literary) to balance contemporary and archival aesthetics.

Printed and bound in Berlin, the book is an object as much as a narrative—an intentional blend of tactile materials and documentary storytelling.

Crafting a Tangible Experience

Every design choice reinforces the themes of the book:

  • Hardcover with embossing, wrapped in pink velvet, reflecting both softness and defiance.

  • Screw binding for a structured yet flexible format.

  • Paper selection: Glossy for photographs (175g), matte pastel pink for interviews (120g), and recycled paper for text sections (120g).

  • Typography: A mix of Silka (modern and geometric) and Perpetua (classic and literary) to balance contemporary and archival aesthetics.

Printed and bound in Berlin, the book is an object as much as a narrative—an intentional blend of tactile materials and documentary storytelling.

05

Reflection

05

Reflection

05

Reflection

The Challenge of Documenting a Community

This project challenged me on multiple levels: as a designer, a researcher, and a former resident. Balancing personal experience with academic rigor required stepping outside my comfort zone—exploring perspectives beyond my own, questioning assumptions, and weaving individual narratives into a broader social discussion.

The process also reinforced the complexities of representing a community: How do you document a space built on privacy? How do you share collective experiences without overstepping personal boundaries? The inclusion of interviews and archival material helped me navigate these questions, ensuring the project remained respectful, informative, and engaging.

The Challenge of Documenting a Community

This project challenged me on multiple levels: as a designer, a researcher, and a former resident. Balancing personal experience with academic rigor required stepping outside my comfort zone—exploring perspectives beyond my own, questioning assumptions, and weaving individual narratives into a broader social discussion.

The process also reinforced the complexities of representing a community: How do you document a space built on privacy? How do you share collective experiences without overstepping personal boundaries? The inclusion of interviews and archival material helped me navigate these questions, ensuring the project remained respectful, informative, and engaging.

Methods

  • Ethnographic Research

  • Interviews (group discussions)

  • Archival Research

  • Visual Narrative

  • Editorial Design

  • Material Experimentation

Methods

  • Ethnographic Research

  • Interviews (group discussions)

  • Archival Research

  • Visual Narrative

  • Editorial Design

  • Material Experimentation

Skills

  • Documentary Photography

  • Visual Storytelling

  • Book & Editorial Design

  • Typography & Layout Design

  • Research & Ethnography

  • Archival Research & Curation

  • Interviewing & Transcription

  • Print Production

Skills

  • Documentary Photography

  • Visual Storytelling

  • Book & Editorial Design

  • Typography & Layout Design

  • Research & Ethnography

  • Archival Research & Curation

  • Interviewing & Transcription

  • Print Production

Tools

  • InDesign (book layout, typography)

  • Adobe Photoshop (photo editing)

  • Adobe Illustrator (icons, visual elements)

  • Digital camera (photography)

  • Audio Recording

Tools

  • InDesign (book layout, typography)

  • Adobe Photoshop (photo editing)

  • Adobe Illustrator (icons, visual elements)

  • Digital camera (photography)

  • Audio Recording

Conclusion

Through this photobook, I combined long-term research, photography, interviews, and editorial design to create a meaningful exploration of safe spaces in queer culture. The project demonstrates my ability to handle sensitive topics, conduct interviews, and translate research into a compelling visual and tactile experience—key skills in human-centered design. It also highlights my ongoing commitment to inclusivity, social impact, and storytelling through design.

Conclusion

Through this photobook, I combined long-term research, photography, interviews, and editorial design to create a meaningful exploration of safe spaces in queer culture. The project demonstrates my ability to handle sensitive topics, conduct interviews, and translate research into a compelling visual and tactile experience—key skills in human-centered design. It also highlights my ongoing commitment to inclusivity, social impact, and storytelling through design.

Let’s Collaborate

Book a call with me
or contact me using the contact form.

Let’s Collaborate

Book a call with me
or contact me using
the contact form.

Let’s Collaborate

Book a call with me
or contact me using the contact form.